Showing posts with label renaissance women. Show all posts
Showing posts with label renaissance women. Show all posts

Friday, December 29, 2017

New Renaissance: how Florence is freeing its great female artists

From The Guardian:

Unfairly neglected … Rossella Lari restores The Last Supper by Plautilla Nelli.
Rossella Lari restores The Last Supper by Plautilla Nelli.
Ask most people to name a female artist, and chances are they will come up with a contemporary figure: Tracey Emin, Rachel Whiteread or Paula Rego. Or they’ll name a 20th-century artist such as Frida Kahlo, or Georgia O’Keeffe. What they won’t do, though, is name one of the 16th- or 17th-century women who painted during and in the years following the Renaissance. Nelli is one of many female artists – including Artemisia Gentileschi, one of the most accomplished followers of Caravaggio, and Marietta Robusti who learned from her father Tintoretto – that history has unfairly neglected.

Now, though – nearly half a millennium on – that is beginning to change. AWA, which was established in 2009 by US philanthropist Jane Fortune, is committed to rediscovering all the works by women that lie forgotten in the museum attics and churches of Florence: at least 2,000 so far. When a painting is found, crowdfunding and special appeals pay for its restoration.

read more here @ The Guardian and here @ AWA (Advancing Women Artists)


Saturday, April 15, 2017

Laura Battiferra – a Poetess for the Great Siege

Giovanni Bonello wrote a series of three articles for the Times of Malta (2012) on the poetess Laura Battiferra in relation to the Great Siege of Malta (1565).

Laura Battiferra by Agnolo Bronzino c.1560
"Laura Battiferra – Laura who? She had sunk into almost total oblivion, even though she was the wife of one of the most distinguished artists of the High Renaissance: Bartolomeo Ammannati. If one wanted to be generous, she had become an inconspicuous footnote in the history of Italian literature. The cultural explosion of feminism in more recent years has reversed the trend of gender neglect and again pushed Battiferra to the forefront."

Bonnello notes that: " Women do not generally celebrate war in poetry – only silly men do that – but then they do sometimes sing the praises and the virtues of male warriors and champions, the handsome supermen of their unacknowledged dreams, objects of unabashed hero worship or more."

Of her final days, Bonnello writes: "Battiferra spent most of the last stretch of her life in a chapel specially built for her by her husband in a rented villa in Camerata, close to the gates of Florence. Ammannati could afford that and much else besides, after a long and highly successful career as a sculptor and an architect. She passed away in November (probably the 1st), 1589, and was buried in the Ammannati chapel in the Florentine church of San Giovannino whose façade had been designed by her gifted husband."

Times of Malta: 
Laura Battiferra – a poetess for the Great Siege (July 29, 2012)
Laura Battiferra’s four poems on the Great Siege of Malta (August 5, 2012)
Poetess sings praises of Great Siege heroes August 12, 2012


About Laura Battiferra:


Books on / featuring Laura Battiferra:
  • Italian Women Writers: A Bio-bibliographical Sourcebook edited by Rinaldina Russell
  • Laura Battiferra and Her Literary Circle: An Anthology: A Bilingual Edition By Laura Battiferra degli Ammannati
  • Encyclopedia of Women in the Renaissance: Italy, France, and England edited by Diana Maury Robin, Anne R. Larsen, Carole Levin
  • Women Poets of the Italian Renaissance: Courtly Ladies and Courtesans by Laura Anna Stortoni, Mary Prentice Lillie

Sunday, February 26, 2017

Mysterious Mona Lisa - Part 2

Following on from my post "Mysterious Mona Lisa" in August 2013, please find some more news updates on this enigmatic Renaissance woman:

From: Haaretz: The man who saved Mona Lisa from the Nazis -
On the eve of World War II, 4,000 works of art were secretly taken from walls of The Louvre and hidden away in various locales around France. A new documentary tells the story of an extraordinary rescue mission.

Link: http://www.haaretz.com/israel-news/culture/leisure/.premium-1.645657


From Live Science: Did da Vinci create a 3D Mona Lisa - 
Leonardo Da Vinci's "Mona Lisa" painting may be part of the oldest 3D artwork, say two visual scientists. In 2012, scientists discovered that beneath layers of black paint, a seemingly insignificant "knock-off" of the "Mona Lisa" in the Museo del Prado in Madrid was in actuality very close to the original hanging in the Louvre Museum in Paris, revealing the same subject with the same mountain landscape background. That painting may have been painted by Da Vinci or possibly one of his students.

Link: http://www.livescience.com/45309-mona-lisa-3d-created.html


From The Independent: The dig that may have unearthed Leonardo's muse -
There's no trace of that celebrated, knowing expression, but archaeologists hope that one of two skeletons unearthed in a Tuscan convent will be shown to be that of the model who became Leonardo da Vinci's Mona Lisa. In their hunt for the remains of the most famous portrait-sitter in history, experts have been digging in the former convent of St Ursula in Florence since April. They have previously found and disregarded the bones of five other people.

Link: http://www.independent.co.uk/news/science/archaeology/news/the-dig-that-may-have-unearthed-leonardos-muse-8196544.html


From The Telegraph: Who was Mona Lisa? -
Italian researchers edged closer to solving one of the greatest mysteries in art history on Thursday – the identity of the Renaissance woman who posed for Leonardo’s Mona Lisa, the Louvre’s greatest treasure and one of the world’s most famous paintings.

After spending four years excavating human remains from beneath a centuries-old convent in Florence, researchers have zeroed in on a small collection of bones that they believe may have belonged to Lisa Gherardini, the Florentine silk merchant’s wife whom many scholars believe was the model for Leonardo’s masterpiece.

The research team revealed on Thursday that carbon-14 dating showed that the bones, which included a femur, dated from around the time that Gherardini died, in July 1542, at the age of 63.

Link: http://www.telegraph.co.uk/news/worldnews/europe/italy/11888685/Who-was-Mona-Lisa-Burial-breakthrough-may-solve-the-identity-mystery-behind-Da-Vinci-masterpiece.html


From Live Science: Why does Mona Lisa's smile change -
Strolling through the Louvre, you stop at Leonard da Vinci's Mona Lisa. Initially, she appears to be smiling; but as you move your gaze, the expression changes — not so happy anymore. Among the top questions baffling art enthusiasts is the elusive grin. Did da Vinci intentionally create the ambiguous appearance?

Link: http://www.livescience.com/32483-why-does-mona-lisas-smile-change.html


From Ancient Origins: Unmasking Mona Lisa - 
Experts believe the woman depicted in the famous painting is Lisa Gherardini Del Giocondo, and that several remains found in a convent in Florence in 2011 could be her. They exhumed Del Giocondo family members who were buried in a separate family tomb that was opened in 2013 for the first time in centuries in an attempt to determine if it is really her through DNA matching. However, DNA tests on Gherardini’s sons reportedly failed.

The chair of Italy's National Committee for the valorization of historic, cultural and environmental heritage, Silvano Vinceti says that comparison of DNA from the remains found in the convent to that of Gherardini's children, who are buried in the family tomb, will not be possible, as previously thought, reports Arts Culture & Style (ANSA). Vincenti tells ANSA that “extracting DNA from Gherardini's family was impossible.”

Link: http://www.ancient-origins.net/news-history-archaeology/unmasking-mona-lisa-will-scientists-discover-her-true-identity-020253


From Archaeology News Network: C-14 results to shed light on Mona Lisa's identity -
Carbon-14 results on the remains of three people exhumed from Florence's Sant'Orsola convent will soon reveal whether they include those of a woman thought to have sat for Leonardo da Vinci's Mona Lisa painting, researcher Silvano Vinceti said Thursday.

If the carbon-14 test results will confirm "that the three human remains date back to the 16th century" and that one of three is likely to have died during a period coinciding with Gherardini's demise, "then it will be possible to confirm, with a very high probability, that we have found the Gioconda".

Link: https://archaeologynewsnetwork.blogspot.com.au/2015/03/c-14-results-to-shed-light-on-mona.html#.VP2DswWp-Up.facebook#CXMTDbZgf651yYj1.97

Sunday, August 11, 2013

Mysterious Mona Lisa - Update

Well, the tomb of what is believed to be Lisa Gherardini, model for da Vinci's Mona Lisa is about to be opened and the remains DNA tested with current family members to determine her identity once and for all.

For the latest news on the tomb opening:
Yahoo News: http://au.news.yahoo.com/entertainment/a/-/entertainment/18441992/hunt-for-mona-lisa-model-leads-to-florence/

Huffington Post: http://www.huffingtonpost.com/2013/08/09/mona-lisa-skeleton_n_3732301.html

The Independent: http://www.independent.co.uk/news/world/europe/researchers-open-florence-tomb-in-search-for-identity-of-the-real-mona-lisa-8755463.html

And Science World: http://www.scienceworldreport.com/articles/8736/20130809/archaeologists-track-down-real-mona-lisa-dna-evidence.htm




Tuesday, August 6, 2013

Mysterious Mona Lisa

Mona Lisa
With interest in the Mona Lisa in the media over the past few years, I have decided to share with readers some of the more interesting articles that have appeared.


From BBC News: Mona Lisa pregnancy mooted –
The famous smile on Leonardo Da Vinci's Mona Lisa could be because she is pregnant or had just had a baby, research suggests.

"This type of gauze dress ... was typical of the kind worn in early 16th Century Italy by women who were pregnant or who had just given birth," said Bruno Mottin of the French Museums' Center for Research and Restoration.


This led to a discussion held on the Shadowed Realm History Forum (and included the identity of the Mona Lisa): http://www.shadowedrealm.com/medieval-forum/topic/874-mona-lisa-preganant/?hl=%2Bmona+%2Blisa


From Live Science: Amateur historian claims he has found Mona Lisa’s resting place –
An amateur historian said Friday that he has found the final resting place of the woman some believe inspired Leonardo da Vinci's most renowned painting, the "Mona Lisa.''

A death certificate shows that Lisa Gherardini—the Renaissance woman some believe was the model for the "Mona Lisa''—died on July 15, 1542, in Florence and is buried in a convent in central Florence, Giuseppe Pallanti said.



From The Telegraph: Riddle of Mona Lisa solved: she was the mother of five –
Leonardo Da Vinci's Mona Lisa, the world's most enduring symbol of feminine mystique, is actually a portrait of the virtuous wife of a family friend, who had five children including two daughters who became nuns.

"The portrait of Mona Lisa, done when Lisa Gherardini was aged about 24, was probably commissioned by Leonardo's father himself for his friends, as he is known to have done on at least one other occasion.

"This would have been Ser Piero's way of giving a helping hand to his son, who was hopelessly vague when it came to money matters."

Mr Pallanti also found the registration of the wedding on March 5, 1495, between Lisa, then 16, and Ser Francesco, who was 14 years her senior. His first wife, Camilla Rucellai, had died the previous year.


 
Nude Mona Lisa
From Discovery News: Nude, Mona Lisa like painting surfaces –
Leonardo da Vinci, in a Renaissance version of Mad Magazine, may have painted his famous Mona Lisa in a number of ways, including nude. Now, a painting has surfaced that looks much like the original, sparking debate over just how far the master took his iconic painting.

The newly revealed painting, hidden for almost a century within the wood wall of a private library, shows a portrait of a half-naked woman with clear links to the famous (and clothed) Mona Lisa.

A note dating to 1845 records that the Cardinal bought "the portrait of the Mona Lisa, mistress of Francis I, by Leonardo da Vinci," from the Rospigliosis, a rich aristocratic Roman family.



From IOL News: The eyes have it –
Hidden in the dark paint of her pupils are tiny letters and numbers, placed there by the artist Leonardo da Vinci and revealed only now thanks to high-magnification techniques.

Experts say the barely distinguishable letters and numbers represent something of a real-life Da Vinci code.The revelation could have come straight from the pages of Dan Brown’s best-seller “The Da Vinci Code”, in which the Mona Lisa is said to contain hidden clues about the Holy Grail.



From Live Science: 25 Secrets of the Mona Lisa Revealed –
New images uncover 25 secrets about the Mona Lisa, including proof that Leonardo da Vinci gave her eyebrows, solving a long-held mystery.

"The face of Mona Lisa appears slightly wider and the smile is different and the eyes are different," Cotte said. "The smile is more accentuated I would say."



From The Telegraph: Identity of Mona Lisa revealed –
However, academics at Heidelberg University say scribbled notes in the margin of a book 500 years old are the evidence that proves the woman with the strange half-smile, whose portrait hangs in the Louvre in Paris, is Lisa Gherardini, the wife of Giocondo, a Florentine merchant.

Many aficionados have long supposed La Gioconda, as she was also known, was the sitter, from comments made by Giorgio Vasari in 1550.

But Vasari's identification was made 50 years after Leonardo painted the Mona Lisa, and, the university said he was noted for elaborating the truth.

Now notes written by Agostino Vespucci, who knew Leonardo, found in the university library, confirm the sitter as Lisa del Giocondo.



From Discovery News: Was Mona Lisa a dude? –
Italian researchers who specialize in resolving art mysteries said Wednesday they have discovered the disputed identity of the model for Leonardo da Vinci's Mona Lisa -- and claimed he was a man.

Mona Lisa
Salai as da Vinci's
John the Baptist
Salai, real name Gian Giacomo Caprotti, an effeminate young artist who worked with da Vinci for 25 years, is thought to have served as a model and muse for several of his paintings. The pair had an "ambiguous" relationship and were probably lovers, Vinceti said.

Comparisons between the facial characteristics of figures from several of da Vinci's works -- such as "St. John the Baptist" and the "Angel Incarnate" -- reveal striking similarities with the Mona Lisa's nose and mouth, he said.







From SIFY News: Hunt for Mona Lisa: Archaeologists Find New Tomb –
Archaeologists digging for the remains of a 16th-century woman believed to be the model for Leonardo da Vinci's Mona Lisa have found a crypt and a stairway to a second tomb inside a medieval convent in Florence.

But most modern scholars now agree the Mona Lisa sitter was Del Giocondo, the wife of a rich Florentine silk merchant, who according to Leonardo expert Giuseppe Pallanti became a nun after her husband's death and died in the convent July 15, 1542, aged 63.



Mona Lisa Excavation
From The Telegraph: Mona Lisa “Crypt” Found –
Professor Silvano Vinceti is leading the hunt for Lisa Gherardini Del Giocondo who is widely believed to be the mystery woman behind the 500 year old painting of Mona Lisa.

The crypt was found under the floor of the St Ursula convent in Florence after a foot of modern concrete was removed and unearthed a layer of ancient, 35 inch wide bricks.

The aim of the dig is to find Mona Lisa's remains, compare her DNA with that of two her children buried in Florence's Santissima Annunziata church, then reconstruct her face and compare it to Leonardo's painting.

    

From CBS News: Is Buried Skeleton What Remains of Real Mona Lisa –
Archaeologists searching for the remains of Leonardo da Vinci's Mona Lisa have uncovered a skeleton that may belong to the mysterious woman.

The skeleton was unearthed in a Florence convent where researchers are searching for the remains of Lisa Gherardini Del Giocondo, the women believed to be the model for da Vinci's famous painting. Based on an early look at the cranium and pelvis, the skeleton appears to be female, Bologna University anthropologist Giorgio Gruppioni told news agencies Friday (May 27).



From The Telegraph: Attempt to return Mona Lisa to Italy dismissed –
The 500-year-old Leonardo da Vinci masterpiece was painted in Florence before he took it to France where it has lived ever since.

Art historian professor Silvano Vinceti, who is currently looking for the final resting place of the women believed to have posed for the painting, had launched a campaign to bring the painting back to Florence.



From The LA Times: And you think you knew the Mona Lisa –
This much is well established: On Aug. 21, 1911, an Italian house painter named Vincenzo Peruggia, who had briefly worked on a project at the Louvre, walked out of the Paris museum with the celebrated masterpiece by Leonardo da Vinci. He kept police and newspapers speculating about the crime for more than two years before sending a letter to a Florence art dealer signed "Leonard V." offering him the painting. Peruggia was soon caught and successfully tried. But in 100 years of fascination with the theft that has produced books, articles and even a documentary, a number of odd or puzzling facts have emerged — some more compelling than the question of who did it.



From ADNKronoso International: Archaeologists hunting for Mona Lisa unearth tomb and staircase –
Archaeologists digging for the remains of a 16th-century woman believed to be the model for Leonardo's Mona Lisa masterpiece have found a crypt and a stairway to a probably second tomb inside a former medieval convent in central Florence.

The dig began on Wednesday in the hallways of the convent and Roman said the team's radar had shown there could be burials there dating back to Gherardini's time as little as two metres below the surface of what was formerly a cloister.



From Hispanic Business dot com: Search for Mona Lisa’s remains to resume –
Archeologists will resume the search for the remains of the noblewoman who posed for Leonardo Da Vinci's Mona Lisa masterpiece 500 years ago.

Florence province, owner of the site that once was the convent of Saint Orsola where Lisa Gherardini was buried in 1542, has requested that the search continue. 


Archeologists in May 2011 thought they had found her remains when they located a grave containing a woman's skeleton. 




From the Herald Sun: Archaeologists uncover Mona Lisa model’s remains –
IT'S the face that launched a thousand imitations. Now, archaeologists are convinced they've found the body of the real Mona Lisa.

Buried in a crypt beneath a convent in Florence, Italy, archaeologists believe they have uncovered the skeleton belonging to the model who posed for Leonardo da Vinci's masterpiece in 1504.
The wife of a rich silk merchant, Lisa Gheradini, is generally accepted by historians to be the woman with the mysterious smile.

Lisa Gheradini, whose married name was Giocondo, became a nun after her husband's death. She was buried in the grounds of the Convent of Saint Ursula where she died in 1542, aged 63.



Mona Lisa Skeleton
From ABC Radio Australia: Italian archaeologists have unearthed a skeleton which they think may belong to the real-life Mona Lisa –
Italian archaeologists have found a skeleton buried inside the Sant'Orsola monastery in Florence that could belong to Lisa Gherardini, the woman who inspired the famous Leonardo da Vinci painting.

Several bodies have been discovered in the hunt to find the mortal remains of Lisa Gherardini, the Florentine noblewoman widely believed to have served as Leonardo's muse.

Although the researchers had previously discovered bits of bones and two sets of remains in the convent, the latest skeleton to be unearthed is the best preserved, crucially, with the skull intact.
It also lies close to the tiny nunnery's Franciscan altar, thereby placing the grave in the right historic period.

But as with the previous remains, this skeleton may also prove to be unrelated.

In that case, new digs will begin in September, to unearth other bodies the researchers believe lie on the other side of the altar, in a larger grave.



From Discovery News:  Mona Lisa’s skeleton found –
Known for controversial claims, like that letters and numbers are hidden inside the Mona Lisa painting, Vinceti has based his search in the convent on documents found by historian Giuseppe Pallanti some years ago.

"Lisa Gheradini did exist and lived a rather ordinary life," Pallanti, who is not involved in the project, told Discovery News.

The historian traced back Lisa's life from her birth on June 15, 1479, to her death at the age of 63.

In his research, Pallanti found several important documents, such as Francesco del Giocondo's will. There, the merchant asked his younger daughter, Marietta, to take care of his "beloved wife," Lisa.

At that time, Marietta, one of Lisa and Francesco's five children, had become a nun, thus she brought her mother to the nearby convent of Sant'Orsola.

Lisa remained there until her death, according to a document known as a "Book of the Dead," found by Pallanti in a church archive.

"Lisa di Francesco Del Giocondo died on July 15, 1542 and was buried in Sant'Orsola," the document stated.



From France 24 International News: Louvre's Mona Lisa may be copy of an 'earlier version’ –

A Swiss art foundation claims it has proof that an “earlier” version of Leonardo Da Vinci’s Mona Lisa masterpiece at the Louvre is a genuine painting by the Italian master.

“The Louvre version is far more advanced and of far higher quality, but it is a copy made by Leonardo himself from the earlier one.”

Feldman believes that the Swiss painting was probably left unfinished before Leonardo painted the second version that now hangs in the Louvre.



From Time Newsfeed: Mona Lisa: was there more than one –
Could it have been possible that Leonardo da Vinci painted Lisa del Giocondo, the wife of a wealthy Florentine merchant, twice? According to Mona Lisa Foundation, the answer is yes. The Zurich-based organization made buzz last week by announcing that an earlier version of the famed painting — in which Mona Lisa appeared younger, slimmer and happier — is authentic.

Link: http://newsfeed.time.com/2012/10/01/mona-lisa-was-there-more-than-one/


From The Art Newspaper: Earliest Copy of Mona lisa found in Prado –
Prado Mona Lisa
Conservators at the Prado in Madrid recently made an astonishing discovery, hidden beneath black overpaint. What was assumed to be a replica of the Mona Lisa made after Leonardo’s death had actually been painted by one of his key pupils, working alongside the master. The picture is more than just a studio copy—it changed as Leonardo developed his original composition.

But what is most exciting about the Prado replica is what it reveals about Leonardo’s original. In the Madrid copy there are areas that are better preserved than in the Louvre painting. The replica gives us more detail of the spindles of the chair, the frill on the edge of the fabric on Lisa’s chest and the semi-transparent veil around her left shoulder, arm and elbow. 



Isleworth Mona Lisa
From Time Newsfeed: “Second” Mona Lisa deemed authentic –
New tests appear to have confirmed that the Isleworth Mona Lisa — a painting thought to be an earlier version of Leonardo da Vinci’s famous portrait — is indeed authentic, reports the Guardian.

According to a carbon-dating test by the Zurich Institute, the canvas of the Isleworth painting dates to somewhere between 1410 and 1455, refuting claims that it was a late 16th century copy, the Huffington Post reported, which appears to depict a younger version of the same woman in the Mona Lisa hanging in the Louvre in Paris.



From The Star: Lost diaries hold key to mysterious Mona Lisa –
A package of diaries said to have been posted to the US from Britain in the 1960s could provide a vital clue to the origin of a controversial portrait presented in Geneva last month as Leonardo da Vinci’s original Mona Lisa.

But notes by early 20th century British connoisseur and collector Hugh Blaker disappeared and the address they were sent to seems to have never existed.

The diaries would also help establish if the so-called Isleworth variant of the world’s most famous painting could indeed be an earlier portrayal by Leonardo of the enigmatic smiling lady.



From Discovery News: Is this the Mona Lisa’s first smile –
In his work "Lives of the Artists," 16th century painter and art historian Giorgio Vasari(1511–1574) named Lisa Gherardini, the wife of the wealthy Florentine silk merchant Francesco del Giocondo as the subject of the portrait. He dated the painting shortly after Leonardo’s return to Florence in 1500, and stated that it was left unfinished after four years.

Vasari's version is confirmed by an acquaintance of Leonardo da Vinci, Florentine city official Agostino Vespucci, a relative of the explorer, navigator and cartographer Amerigo Vespucci.

Perhaps the earliest witness of the masterpiece, Agostino Vespucci wrote in October 1503 that Leonardo was working on three paintings at the time, including a portrait of Lisa del Giocondo. Vespucci's annotations were found in 2005 at the Heidelberg University's library (Link: http://www.ub.uni-heidelberg.de/Englisch/news/monalisa.html).

Another account can be found in the travel journal of Antonio De Beatis, the secretary of the cardinal Louis d'Aragona. Written between 1517and 1518, the diary reported that Leonardo had finished the Mona Lisa by 1517, and that it was completed for Giuliano de’ Medici.

To add to the contradiction, the account of the Renaissance historian Gian Paolo Lomazzo (1538 – 1592) referred in his 1584 Treatise on Painting, to "a Gioconda and a Mona Lisa."
  


The Louvre – Mona Lisa


Thursday, August 16, 2012

The Daylight Gate


Pendle: a place synonymous with witches and Britain's most notorious diabolism trials. The candle-passing parlour game says, if it dies in your hand, you've a forfeit to give. If you're going to write a book about famous witches, it had better fly.


Winterson's novella is set in 1612, during the feverishly paranoid reign of James I. It describes the plight of a group of paupers, mostly women, accused of evil practices and tried at the August assizes. In the previous decade, the gunpowder plot almost did away with the king. Heresy is his obsession. Author of the instructive Daemonologi, he is, as Pendle's local magistrate puts it, "a meddler". In this fraught climate disfigured elderly ladies aren't safe, alchemists can be arrested for creating mechanical beetles, and Catholics are thumb-screwed. "It suits the times to degrade the hoc est corpus of the Catholic mass into satanic hocus pocus," notes William Shakespeare, who features briefly, and not preposterously, in Winterson's book.


Thursday, January 26, 2012

Bizarre History of the Pregnancy test

From i09:
Nowadays, finding out if you're pregnant is relatively easy — but it wasn't always that way. Over the centuries, people have come up with downright strange and sometimes revolting tests to figure out whether or not a person is knocked up. Some of them were useless, some required being a chemist in the bathroom, and some caused major ecological disasters.


The thing about pregnancy, as a condition, is most people eventually figure out their status on their own. Pregnancy tests, for much of history, have seemed unnecessary.


Still, people have always tried to find ways to peek inside themselves. Some people want to make an early announcement to family. Some need to put their names on a six-year-long waiting list for a private kindergarten, and hope that a year's worth of kids drop out of the running. Some just wish to experience the sheer joy of peeing on something scientific. Whatever the reason, all those who grab a stick and run to the ladies' room are participating in a long, occasionally-destructive, and sometimes outright loony march of scientific progress.

Tuesday, April 12, 2011

Digging Up The Mona Lisa

Italian researchers are planning to dig up bones in a Florence convent to try to identify the remains of a Renaissance woman believed to be the model for the Mona Lisa. If successful, the research might help ascertain the identity of the woman depicted in Leonardo da Vinci's masterpiece – a mystery that has puzzled scholars and art lovers for centuries and generated countless theories.

The project aims to locate the remains of Lisa Gherardini, the wife of a rich silk merchant named Francesco del Giocondo. Tradition has long linked Gherardini to the painting, which is known in Italian as La Gioconda and in French as La Joconde. Giorgio Vasari, a 16th-century artist and biographer, wrote that Leonardo painted a portrait of del Giocondo's wife.

Sunday, April 3, 2011

Leonora Galigai by Historian Yaara Bar-On

Historian Yaara Bar-On goes back to the 17th century to tell the story of Leonora Galigai, the Jewish companion of the queen of France. Her tale reflects the feminist struggle across the ages and into our own day

Galigai is at the center of a new book, "A 'Jewish Witch' in the Court of Louis XIII, King of France: The Trial of Leonora Galigai, 1617" (Carmel Publishing; Hebrew), by the historian Yaara Bar-On, the deputy president for academic affairs at the Bezalel Academy of Arts and Design in Jerusalem.

It's a story of high drama, complete with a show trial, rampant prejudice, court intrigues, struggles between men and women, between princes and servants. Among the issues the writer examines are xenophobia, misogyny, the power of gossip and other phenomena that are still very much with us today. Above all, though, the book brings alive the 17th century in a way that reconfirms the relevance of its history for our own time.