|Female Court Musicians|
Mughal emperor Jahangir, in his Jahangirnama, gives the exaggerated figure of 15,000 women in Ghiyas’ seraglio. He further adds that each woman in the harem was either trained in a particular craft according to her aptitude and talent, or was appointed to some high position at the court of Malwa.
It is not surprising that medieval Indian chroniclers could not understand and appreciate Ghiyas’ distinguished harem. In an era that treated women as second-class human beings, educated women would have certainly been misfits. This may be why when Ghiyas’ son, after he murdered his father and wrested the reins of Malwa for himself, executed most of the women from his father’s seraglio. Weak rulers are often threatened by empowered women.
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