Showing posts with label women in arts. Show all posts
Showing posts with label women in arts. Show all posts

Sunday, August 11, 2013

Mysterious Mona Lisa - Update

Well, the tomb of what is believed to be Lisa Gherardini, model for da Vinci's Mona Lisa is about to be opened and the remains DNA tested with current family members to determine her identity once and for all.

For the latest news on the tomb opening:
Yahoo News: http://au.news.yahoo.com/entertainment/a/-/entertainment/18441992/hunt-for-mona-lisa-model-leads-to-florence/

Huffington Post: http://www.huffingtonpost.com/2013/08/09/mona-lisa-skeleton_n_3732301.html

The Independent: http://www.independent.co.uk/news/world/europe/researchers-open-florence-tomb-in-search-for-identity-of-the-real-mona-lisa-8755463.html

And Science World: http://www.scienceworldreport.com/articles/8736/20130809/archaeologists-track-down-real-mona-lisa-dna-evidence.htm




Tuesday, August 6, 2013

Mysterious Mona Lisa

Mona Lisa
With interest in the Mona Lisa in the media over the past few years, I have decided to share with readers some of the more interesting articles that have appeared.


From BBC News: Mona Lisa pregnancy mooted –
The famous smile on Leonardo Da Vinci's Mona Lisa could be because she is pregnant or had just had a baby, research suggests.

"This type of gauze dress ... was typical of the kind worn in early 16th Century Italy by women who were pregnant or who had just given birth," said Bruno Mottin of the French Museums' Center for Research and Restoration.


This led to a discussion held on the Shadowed Realm History Forum (and included the identity of the Mona Lisa): http://www.shadowedrealm.com/medieval-forum/topic/874-mona-lisa-preganant/?hl=%2Bmona+%2Blisa


From Live Science: Amateur historian claims he has found Mona Lisa’s resting place –
An amateur historian said Friday that he has found the final resting place of the woman some believe inspired Leonardo da Vinci's most renowned painting, the "Mona Lisa.''

A death certificate shows that Lisa Gherardini—the Renaissance woman some believe was the model for the "Mona Lisa''—died on July 15, 1542, in Florence and is buried in a convent in central Florence, Giuseppe Pallanti said.



From The Telegraph: Riddle of Mona Lisa solved: she was the mother of five –
Leonardo Da Vinci's Mona Lisa, the world's most enduring symbol of feminine mystique, is actually a portrait of the virtuous wife of a family friend, who had five children including two daughters who became nuns.

"The portrait of Mona Lisa, done when Lisa Gherardini was aged about 24, was probably commissioned by Leonardo's father himself for his friends, as he is known to have done on at least one other occasion.

"This would have been Ser Piero's way of giving a helping hand to his son, who was hopelessly vague when it came to money matters."

Mr Pallanti also found the registration of the wedding on March 5, 1495, between Lisa, then 16, and Ser Francesco, who was 14 years her senior. His first wife, Camilla Rucellai, had died the previous year.


 
Nude Mona Lisa
From Discovery News: Nude, Mona Lisa like painting surfaces –
Leonardo da Vinci, in a Renaissance version of Mad Magazine, may have painted his famous Mona Lisa in a number of ways, including nude. Now, a painting has surfaced that looks much like the original, sparking debate over just how far the master took his iconic painting.

The newly revealed painting, hidden for almost a century within the wood wall of a private library, shows a portrait of a half-naked woman with clear links to the famous (and clothed) Mona Lisa.

A note dating to 1845 records that the Cardinal bought "the portrait of the Mona Lisa, mistress of Francis I, by Leonardo da Vinci," from the Rospigliosis, a rich aristocratic Roman family.



From IOL News: The eyes have it –
Hidden in the dark paint of her pupils are tiny letters and numbers, placed there by the artist Leonardo da Vinci and revealed only now thanks to high-magnification techniques.

Experts say the barely distinguishable letters and numbers represent something of a real-life Da Vinci code.The revelation could have come straight from the pages of Dan Brown’s best-seller “The Da Vinci Code”, in which the Mona Lisa is said to contain hidden clues about the Holy Grail.



From Live Science: 25 Secrets of the Mona Lisa Revealed –
New images uncover 25 secrets about the Mona Lisa, including proof that Leonardo da Vinci gave her eyebrows, solving a long-held mystery.

"The face of Mona Lisa appears slightly wider and the smile is different and the eyes are different," Cotte said. "The smile is more accentuated I would say."



From The Telegraph: Identity of Mona Lisa revealed –
However, academics at Heidelberg University say scribbled notes in the margin of a book 500 years old are the evidence that proves the woman with the strange half-smile, whose portrait hangs in the Louvre in Paris, is Lisa Gherardini, the wife of Giocondo, a Florentine merchant.

Many aficionados have long supposed La Gioconda, as she was also known, was the sitter, from comments made by Giorgio Vasari in 1550.

But Vasari's identification was made 50 years after Leonardo painted the Mona Lisa, and, the university said he was noted for elaborating the truth.

Now notes written by Agostino Vespucci, who knew Leonardo, found in the university library, confirm the sitter as Lisa del Giocondo.



From Discovery News: Was Mona Lisa a dude? –
Italian researchers who specialize in resolving art mysteries said Wednesday they have discovered the disputed identity of the model for Leonardo da Vinci's Mona Lisa -- and claimed he was a man.

Mona Lisa
Salai as da Vinci's
John the Baptist
Salai, real name Gian Giacomo Caprotti, an effeminate young artist who worked with da Vinci for 25 years, is thought to have served as a model and muse for several of his paintings. The pair had an "ambiguous" relationship and were probably lovers, Vinceti said.

Comparisons between the facial characteristics of figures from several of da Vinci's works -- such as "St. John the Baptist" and the "Angel Incarnate" -- reveal striking similarities with the Mona Lisa's nose and mouth, he said.







From SIFY News: Hunt for Mona Lisa: Archaeologists Find New Tomb –
Archaeologists digging for the remains of a 16th-century woman believed to be the model for Leonardo da Vinci's Mona Lisa have found a crypt and a stairway to a second tomb inside a medieval convent in Florence.

But most modern scholars now agree the Mona Lisa sitter was Del Giocondo, the wife of a rich Florentine silk merchant, who according to Leonardo expert Giuseppe Pallanti became a nun after her husband's death and died in the convent July 15, 1542, aged 63.



Mona Lisa Excavation
From The Telegraph: Mona Lisa “Crypt” Found –
Professor Silvano Vinceti is leading the hunt for Lisa Gherardini Del Giocondo who is widely believed to be the mystery woman behind the 500 year old painting of Mona Lisa.

The crypt was found under the floor of the St Ursula convent in Florence after a foot of modern concrete was removed and unearthed a layer of ancient, 35 inch wide bricks.

The aim of the dig is to find Mona Lisa's remains, compare her DNA with that of two her children buried in Florence's Santissima Annunziata church, then reconstruct her face and compare it to Leonardo's painting.

    

From CBS News: Is Buried Skeleton What Remains of Real Mona Lisa –
Archaeologists searching for the remains of Leonardo da Vinci's Mona Lisa have uncovered a skeleton that may belong to the mysterious woman.

The skeleton was unearthed in a Florence convent where researchers are searching for the remains of Lisa Gherardini Del Giocondo, the women believed to be the model for da Vinci's famous painting. Based on an early look at the cranium and pelvis, the skeleton appears to be female, Bologna University anthropologist Giorgio Gruppioni told news agencies Friday (May 27).



From The Telegraph: Attempt to return Mona Lisa to Italy dismissed –
The 500-year-old Leonardo da Vinci masterpiece was painted in Florence before he took it to France where it has lived ever since.

Art historian professor Silvano Vinceti, who is currently looking for the final resting place of the women believed to have posed for the painting, had launched a campaign to bring the painting back to Florence.



From The LA Times: And you think you knew the Mona Lisa –
This much is well established: On Aug. 21, 1911, an Italian house painter named Vincenzo Peruggia, who had briefly worked on a project at the Louvre, walked out of the Paris museum with the celebrated masterpiece by Leonardo da Vinci. He kept police and newspapers speculating about the crime for more than two years before sending a letter to a Florence art dealer signed "Leonard V." offering him the painting. Peruggia was soon caught and successfully tried. But in 100 years of fascination with the theft that has produced books, articles and even a documentary, a number of odd or puzzling facts have emerged — some more compelling than the question of who did it.



From ADNKronoso International: Archaeologists hunting for Mona Lisa unearth tomb and staircase –
Archaeologists digging for the remains of a 16th-century woman believed to be the model for Leonardo's Mona Lisa masterpiece have found a crypt and a stairway to a probably second tomb inside a former medieval convent in central Florence.

The dig began on Wednesday in the hallways of the convent and Roman said the team's radar had shown there could be burials there dating back to Gherardini's time as little as two metres below the surface of what was formerly a cloister.



From Hispanic Business dot com: Search for Mona Lisa’s remains to resume –
Archeologists will resume the search for the remains of the noblewoman who posed for Leonardo Da Vinci's Mona Lisa masterpiece 500 years ago.

Florence province, owner of the site that once was the convent of Saint Orsola where Lisa Gherardini was buried in 1542, has requested that the search continue. 


Archeologists in May 2011 thought they had found her remains when they located a grave containing a woman's skeleton. 




From the Herald Sun: Archaeologists uncover Mona Lisa model’s remains –
IT'S the face that launched a thousand imitations. Now, archaeologists are convinced they've found the body of the real Mona Lisa.

Buried in a crypt beneath a convent in Florence, Italy, archaeologists believe they have uncovered the skeleton belonging to the model who posed for Leonardo da Vinci's masterpiece in 1504.
The wife of a rich silk merchant, Lisa Gheradini, is generally accepted by historians to be the woman with the mysterious smile.

Lisa Gheradini, whose married name was Giocondo, became a nun after her husband's death. She was buried in the grounds of the Convent of Saint Ursula where she died in 1542, aged 63.



Mona Lisa Skeleton
From ABC Radio Australia: Italian archaeologists have unearthed a skeleton which they think may belong to the real-life Mona Lisa –
Italian archaeologists have found a skeleton buried inside the Sant'Orsola monastery in Florence that could belong to Lisa Gherardini, the woman who inspired the famous Leonardo da Vinci painting.

Several bodies have been discovered in the hunt to find the mortal remains of Lisa Gherardini, the Florentine noblewoman widely believed to have served as Leonardo's muse.

Although the researchers had previously discovered bits of bones and two sets of remains in the convent, the latest skeleton to be unearthed is the best preserved, crucially, with the skull intact.
It also lies close to the tiny nunnery's Franciscan altar, thereby placing the grave in the right historic period.

But as with the previous remains, this skeleton may also prove to be unrelated.

In that case, new digs will begin in September, to unearth other bodies the researchers believe lie on the other side of the altar, in a larger grave.



From Discovery News:  Mona Lisa’s skeleton found –
Known for controversial claims, like that letters and numbers are hidden inside the Mona Lisa painting, Vinceti has based his search in the convent on documents found by historian Giuseppe Pallanti some years ago.

"Lisa Gheradini did exist and lived a rather ordinary life," Pallanti, who is not involved in the project, told Discovery News.

The historian traced back Lisa's life from her birth on June 15, 1479, to her death at the age of 63.

In his research, Pallanti found several important documents, such as Francesco del Giocondo's will. There, the merchant asked his younger daughter, Marietta, to take care of his "beloved wife," Lisa.

At that time, Marietta, one of Lisa and Francesco's five children, had become a nun, thus she brought her mother to the nearby convent of Sant'Orsola.

Lisa remained there until her death, according to a document known as a "Book of the Dead," found by Pallanti in a church archive.

"Lisa di Francesco Del Giocondo died on July 15, 1542 and was buried in Sant'Orsola," the document stated.



From France 24 International News: Louvre's Mona Lisa may be copy of an 'earlier version’ –

A Swiss art foundation claims it has proof that an “earlier” version of Leonardo Da Vinci’s Mona Lisa masterpiece at the Louvre is a genuine painting by the Italian master.

“The Louvre version is far more advanced and of far higher quality, but it is a copy made by Leonardo himself from the earlier one.”

Feldman believes that the Swiss painting was probably left unfinished before Leonardo painted the second version that now hangs in the Louvre.



From Time Newsfeed: Mona Lisa: was there more than one –
Could it have been possible that Leonardo da Vinci painted Lisa del Giocondo, the wife of a wealthy Florentine merchant, twice? According to Mona Lisa Foundation, the answer is yes. The Zurich-based organization made buzz last week by announcing that an earlier version of the famed painting — in which Mona Lisa appeared younger, slimmer and happier — is authentic.

Link: http://newsfeed.time.com/2012/10/01/mona-lisa-was-there-more-than-one/


From The Art Newspaper: Earliest Copy of Mona lisa found in Prado –
Prado Mona Lisa
Conservators at the Prado in Madrid recently made an astonishing discovery, hidden beneath black overpaint. What was assumed to be a replica of the Mona Lisa made after Leonardo’s death had actually been painted by one of his key pupils, working alongside the master. The picture is more than just a studio copy—it changed as Leonardo developed his original composition.

But what is most exciting about the Prado replica is what it reveals about Leonardo’s original. In the Madrid copy there are areas that are better preserved than in the Louvre painting. The replica gives us more detail of the spindles of the chair, the frill on the edge of the fabric on Lisa’s chest and the semi-transparent veil around her left shoulder, arm and elbow. 



Isleworth Mona Lisa
From Time Newsfeed: “Second” Mona Lisa deemed authentic –
New tests appear to have confirmed that the Isleworth Mona Lisa — a painting thought to be an earlier version of Leonardo da Vinci’s famous portrait — is indeed authentic, reports the Guardian.

According to a carbon-dating test by the Zurich Institute, the canvas of the Isleworth painting dates to somewhere between 1410 and 1455, refuting claims that it was a late 16th century copy, the Huffington Post reported, which appears to depict a younger version of the same woman in the Mona Lisa hanging in the Louvre in Paris.



From The Star: Lost diaries hold key to mysterious Mona Lisa –
A package of diaries said to have been posted to the US from Britain in the 1960s could provide a vital clue to the origin of a controversial portrait presented in Geneva last month as Leonardo da Vinci’s original Mona Lisa.

But notes by early 20th century British connoisseur and collector Hugh Blaker disappeared and the address they were sent to seems to have never existed.

The diaries would also help establish if the so-called Isleworth variant of the world’s most famous painting could indeed be an earlier portrayal by Leonardo of the enigmatic smiling lady.



From Discovery News: Is this the Mona Lisa’s first smile –
In his work "Lives of the Artists," 16th century painter and art historian Giorgio Vasari(1511–1574) named Lisa Gherardini, the wife of the wealthy Florentine silk merchant Francesco del Giocondo as the subject of the portrait. He dated the painting shortly after Leonardo’s return to Florence in 1500, and stated that it was left unfinished after four years.

Vasari's version is confirmed by an acquaintance of Leonardo da Vinci, Florentine city official Agostino Vespucci, a relative of the explorer, navigator and cartographer Amerigo Vespucci.

Perhaps the earliest witness of the masterpiece, Agostino Vespucci wrote in October 1503 that Leonardo was working on three paintings at the time, including a portrait of Lisa del Giocondo. Vespucci's annotations were found in 2005 at the Heidelberg University's library (Link: http://www.ub.uni-heidelberg.de/Englisch/news/monalisa.html).

Another account can be found in the travel journal of Antonio De Beatis, the secretary of the cardinal Louis d'Aragona. Written between 1517and 1518, the diary reported that Leonardo had finished the Mona Lisa by 1517, and that it was completed for Giuliano de’ Medici.

To add to the contradiction, the account of the Renaissance historian Gian Paolo Lomazzo (1538 – 1592) referred in his 1584 Treatise on Painting, to "a Gioconda and a Mona Lisa."
  


The Louvre – Mona Lisa


Saturday, November 19, 2011

The Woman Formerly Known As Margaret Tudor


Owned by the Revd WH Wayne from at least 1886; sold by Wayne to A Smith of Albert Gate Art Galleries, from whom it was purchased by the National Portrait Gallery. Purchased 1898 (NPG 1173).


The National Portrait Gallery acquired this portrait as Margaret Tudor, sister of Henry VIII and wife of James IV of Scotland. However, both the style and the lack of any securely identified portraits of Margaret Tudor make this identification unlikely. The painterly technique suggests a French or possibly Flemish origin. The woman's costume is also in the style of French court dress of the early 16th century. Her gold jewellery and the stylised pomegranate and leaf pattern, commonly reproduced on expensive silks of the period, hint at her noble status. Recent microscopic examination of her medallion has revealed a horseman hunting with a falcon. Falconry and courtly love were frequently linked in medieval literature, so it is possible that this woman is wearing a love token.


Tuesday, November 8, 2011

Women in Roman Mosaics


From the Science Codex:
Numerous images of women appear in Roman mosaics. The majority are inspired in mythology – goddess, heroines and other protagonists of countless legends – although other flesh and blood women, probably dominae, their daughters, handmaidens and servants, are also documented. "The most significant aspect of these images is the different roles they reflect and their contribution to the construction of certain stereotypes, not just in the Roman world, but also throughout history and up to the present", points out Luz Neira, Associate Professor of Ancient History in the Department of Humanities: History, Geography and Art, and a researcher at UC3M's Institute of Culture and Technology.

Tuesday, April 12, 2011

Digging Up The Mona Lisa

Italian researchers are planning to dig up bones in a Florence convent to try to identify the remains of a Renaissance woman believed to be the model for the Mona Lisa. If successful, the research might help ascertain the identity of the woman depicted in Leonardo da Vinci's masterpiece – a mystery that has puzzled scholars and art lovers for centuries and generated countless theories.

The project aims to locate the remains of Lisa Gherardini, the wife of a rich silk merchant named Francesco del Giocondo. Tradition has long linked Gherardini to the painting, which is known in Italian as La Gioconda and in French as La Joconde. Giorgio Vasari, a 16th-century artist and biographer, wrote that Leonardo painted a portrait of del Giocondo's wife.

Tuesday, December 28, 2010

Secret Lives of the Great Artists' Lovers

For as long as man has painted, he (and it usually is a he) has painted his lovers. Look at any of the great works of Western art and, chances are, you will find a mistress, girlfriend, wife or prostitute centre stage.

They may not announce themselves as such, going under the discreet title of Woman Sewing, Girls Bathing or simply Repose. But they’re there all right, these soul mates and play mates, lighting up the canvas with a particular kind of intimacy.

As all these examples suggest, a cloud of suspicion hung over male artists and their choice of female subjects. Painting a wife or sister might seem the obvious way of sidestepping adverse comment, but the problem was that at that time the act of putting a respectable woman on view tarnished her reputation. So there was no choice but to go looking for women who had nothing to lose and perhaps something to gain – the affection of an interesting man, the warmth of the studio, a meal – by becoming public property.

Sunday, September 12, 2010

Mona Lisa's Childhood Home Found

The woman behind one of the world's most famous paintings was born in a humble house in Florence, according to new documents. Rossella Lorenzi gets the story and you can view the video here at Discovery News.

Thursday, July 22, 2010

50 Great Voices

From Women's History Sources:

50 Great Voices, a new series from National Public Radio, profiles "singers who've made their mark internationally and across recorded history." Each of the profiles features audio recordings of songs and interview clips.

Friday, November 13, 2009

Marguerite Wildenhain

New book on Master Potter Marguerite Wildenhain:
The Bauhaus, the most famous art school in history, began in Germany in 1919. Among its studio areas was ceramic art or pottery, where one of the first students was a smart, young French-born woman named Marguerite Friedlander (1896-1985), now known by her married name of Marguerite Wildenhain.
In time, she was designated a Master Potter, married Bauhaus potter Franz Wildenhain, designed award-winning porcelain pieces, and, after her dismissal as a teacher for being Jewish, left Holland in advance of its invasion by the Nazis. She immigrated to the US, where she joined an artists' community called Pond Farm in the hills above the redwood trees in northern California. For much of her remaining life, she ran her own pottery school, taught hundreds of gifted students, and secured her reputation as one of the century's most influential teachers, craftspersons and artists.
This monumental effort is astonishing in its richness. It was painstakingly brought about through the selfless contributions of dozens of international scholars, artists (many of whom were Marguerite Wildenhain's students), schools, museums and other institutions.
Conceived of and compiled by Dean and Geraldine Schwarz (founders of South Bear School), this is a vivid, compelling account—both heartrending and amusing—not only of the life and work of an extraordinary artist and teacher, but also of the historical roots of the European concept of Handwerk; the role of pottery at the early Bauhaus; the establishment of Pond Farm by the Herr family; and the continuing, prospering legacy of the Bauhaus pottery tradition in such diverse places as (in Germany) Dornburg and Halle, and (in the US) Decorah, Iowa (South Bear), Fairbanks, Alaska (North Bear) and Spring Green, Wisconsin (Adamah).
This is a phenomenal archive of more than 800 Bauhaus-related images, both historic and contemporary, interwoven with essays, memoirs, diaries, letters, interviews and other candid written texts (often first-person, eyewitness accounts), many of which are published here for the first time.

Monday, November 9, 2009

Bauhaus Women

From the Guardian:
Ninety years on from the founding of Walter Gropius's legendary art, craft and design school, the female students of the Bauhaus appear to have been as liberated as young women today.

At least they do in the photographs in Bauhaus Women, a book by Ulrike Muller, a "museum educator" in Weimar, the German town where the Bauhaus opened in 1919, declaring equality between the sexes. Where German women had once received art education at home with tutors, at the Bauhaus they were free to join courses.

Yes, the world's most famous modern art school accepted women. But few became well known. While the men of the Bauhaus – Gropius, Paul Klee, Wassily Kandinsky, László Moholy-Nagy and Ludwig Mies van der Rohe – are celebrated, names like Gunta Stölzl (a weaver), Benita Otte (another weaver), Marguerite Friedlaender-Wildenhain (ceramicist), Ilse Fehling (sculptor and set designer) or Alma Siedhoff-Buscher (toy maker) mean precious little.


Tuesday, October 20, 2009

Divas on Screen

From Associated Press:
Dorothy Dandridge was the first black woman nominated for a Best Actress Oscar. Almost a half century passed before another black woman — Halle Berry — won the award.

They and three others — Pam Grier, Whoopi Goldberg and Oprah Winfrey — are subjects of the new book "Divas on Screen: Black Women in American Film."

"These women have pushed the racial boundaries for audiences, setting new standards for beauty and body type," said author Mia Mask.

She took on the book because, while black male stars are now enjoying huge success, little has been written about their female counterparts — as performers who can headline a film, said Mask, who teaches film and drama at Vassar College in Poughkeepsie, N.Y.

Sunday, June 21, 2009

Believe It Or Not ....

Does anyone else see the resemblance of this medieval woman and the Duchess from Alice in Wonderland???

Saturday, June 20, 2009

Susan Cahan

Article by Divya Subrahmanyam @ Yale Daily News:
Yale College Dean Mary Miller announced Thursday the appointment of Susan Cahan, the associate dean for academic affairs of the College of Fine Arts and Communication at the University of Missouri-St. Louis, the newly created position of associate dean for the arts in Yale College.

Cahan, who will be charged with molding a vision for the undergraduate arts across the University, will begin work August 24. Her responsibilities will include developing new programs in the arts and managing current resources in collaboration with department administrators, residential college masters and the deans of Yale’s professional arts schools.



Wednesday, May 27, 2009

Padel, Poetry & Clive James

From the Guardian:
The broadcaster and writer Clive James today said he would like to be Oxford professor of poetry amid the furore surrounding Ruth Padel's appointment to the post.

In an interview with the Guardian, James said the position, which dates back to 1708, and whose past occupants include WH Auden and Seamus Heaney, was his "dream job".

Padel, elected to the post nine days ago, is resisting calls to quit after it emerged that she tipped off newspapers about claims of sexual impropriety against her main rival, Derek Walcott, the Nobel laureate. Walcott, highly respected for his work on post-colonial Caribbean life, withdrew from the campaign days before the election after allegations resurfaced that he had propositioned students in the 1980s and 1990s.

In recent days, James has urged Padel to step down from what is regarded as the most important academic position in poetry. Asked if he would want the job, he said: "You know – and this is strictly between you and me and millions of readers – it's the only job I want."
Padel is the great-great-granddaughter of the naturalist Charles Darwin.

Sunday, January 11, 2009

Return of the "Pin-Up"

Its a little bit saucy and a little bit cheeky but its all for a good cause.

From Fox News:
"Pin-up art — a morale-booster for troops fighting overseas during World War II — is making a comeback, or will be if a California woman has anything to say about it.

Gina Elise, 26, is bringing retro back with her third annual "Pin-Ups for Vets" calendar, which features herself in costumes and poses that were popular among America's fighting men in the 1940s. Profits from the sales of the calendars provide assistance to U.S. military hospitals."

For more information: Pin-Up Calendars For Vets


Saturday, October 18, 2008

"Ugly" Duchess

From Mail Online:
"For years, Quinten Massys' portrait of An Old Woman in the National Gallery has captivated audiences with her unattractive looks.
Looking at her upturned nose, wrinkled cleavage and beady eyes, one would wonder why the Flemish artist would choose to paint such an ugly woman.

After much investigation and debate, art experts believe they have found out why the woman looked like she did and have authenticated the masterpiece.

Medical research on the subject of the painting found she was suffering from an extremely rare form of Paget's disease - an chronic disorder which enlarges and deforms the bones.

The investigation into the 1513 creation found not only why the woman looked like she did, but also that the portrait was a truthful representation.

Researchers told The Guardian she suffered from an advanced form of osteitis deformans, which left her with an extended upper lip, a pushed up nose and enlarged jaw bones. Her hands, eye sockets, forehead, chin and collarbones were also affected by the condition."



Friday, October 3, 2008

Holly Jensen

At the International Women's Playwriting Festival, Holly Jensen's play "Lizzy Izzy" tackles issue of violence towards women.


"Holly Jensen has been a writer most all her life, penning poems and short stories. A few years ago she began dabbling in playwriting, taking a class at Perishable Theatre with theater founder David Eliet.

Now her first play, written three years ago, Lizzy Izzy, has been picked as one of the three winners in Perishable’s biennial International Women’s Playwriting Festival, which opens today at the Empire Street theater. Jensen’s play, with Eliet directing, will be staged Oct. 9-12.

Lizzy Izzy is in something like its sixth incarnation. It started out as a one-woman monologue, with Isabella, an 18-year-old Portuguese-American girl telling a tale of violence. Now it is a 55-minute drama with a cast of six playing eight roles.

Jensen has written several short 10-minute plays since Lizzy Izzy, a couple of which were produced at a festival and one which appeared on cable television. She is now working on a full-length play about a woman who was laid off from her job and becomes obsessed with exposing online child predators, another subject ripped from the headlines.

Even though she has had some successes in the past couple of years, she was stunned to learn she was picked for the Perishable festival. When Perishable artistic director Vanessa Gilbert called her to tell her she was a winner."